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＜p＞From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisatio
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＜p＞＜strong＞A militant Marxist atheist and a “Radical Orthodox” Christian theologian square off on ev
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＜p＞Has anything ever moved you enough to do anything about it?＜/p＞ ＜p＞‘The Monstrosity Factory’ is m
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＜p＞Taking in a wide range of film, television, and literature, this volume explores 21st century hor
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＜p＞This collection examines the intersection of the discourses of “disability” and “monstrosity” in
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＜p＞The Mummy is one of the most recognizable figures in horror and is as established in the popular
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＜p＞Deep inside, every child knows, there is far more magic and enchantment, hidden in the corners of
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＜p＞＜strong＞The Trellborg Monstrosities＜/strong＞＜/p＞ ＜p＞It is 1943 and the war hangs on a knife edge.
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＜p＞Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a varie
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＜p＞Merging critical theory, autobiography, and sexological archival research, ＜em＞Queer Embodiment＜/
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＜p＞Sentir medo, a?s vezes, e? ate? engrac?ado. Mas geralmente nos faz ficar acordados a madrugada in
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＜p＞This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawi
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＜p＞＜strong＞A ＜em＞Kirkus Reviews＜/em＞ “Best Book of the Year”＜/strong＞＜/p＞ ＜p＞＜strong＞This “witty, en
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＜p＞A weird boy becomes very twisted while growing up and conducts Frankensteinish experiments on tho
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＜p＞Das Leben hat einen doppelten Boden. Irgendwo, in den Gassen einer ganz normalen Stadt, in einem
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＜p＞Speculative Imperialisms: Monstrosity and Masquerade in Postracial Times explores the(settler) co
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＜p＞Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement
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＜p＞＜strong＞La cr?ature de Frankenstein, " Elephant Man ", Jack l'?ventreur ou les terroristes suscit
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＜p＞Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st
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＜p＞At the turn of the twenty-first century, American media abound with images and narratives of bodi
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＜p＞Through a wide spectrum of horror sub-genres, this book examines how the current state of horror
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＜p＞In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous
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＜p＞In nearly every talk happening daily in Bombay, Ramesh Balsekar reminds visitors that anything an
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＜p＞When a traveling monstrosities show comes to town and people start disappearing, Jonmarc discover
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＜p＞The medieval monster is a slippery construct, and its referents include a range of religious, rac
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